If you want to expand your students’ modes of writing (whether or not you use writer’s workshop) Angela Stockman’s guide offers great information and insight, says Megan Balduf, including the details of multimodal composition and appendices filled with powerful instruction.
Chris Hall wasn’t satisfied with the way he taught revision in MS writing workshop. After much reflection he’s concluded that the best revision takes place in the mind of the writer during the writing process – not after it’s done. Six mindset ‘stances’ help students learn this skill.
Although the writing challenges Writing Workshop co-developer Shelley Harwayne designs aim to be rigorous, she tries to make sure there’s an element of joy attached. “When assignments are enticing and engaging, it becomes rather easy for students to do what they’re asked.”
Short-term projects with specific techniques and ample examples fill Shelley Harwayne’s book, Above and Beyond the Writing Workshop. Helene Alalouf recommends the book’s authentic and interesting writing assignments complete with scaffolds and templates.
A writer’s notebook is a place to write down what you notice and don’t want to forget; a place to record your ideas and reactions to things. Most of all, it’s a place for students to take what they’ve learned in class and make it their own. It’s a place to live like a writer.
Using the ideas in The Literacy Workshop: Where Reading and Writing Converge can transform literacy teaching, writes Linda Biondi. The authors offer an easy-to-follow, research-based guide as teachers journey into making a dual reading-writing workshop a reality.
Students need more writing support than we can possibly offer them, writes literacy consultant Lynne R. Dorfman. Peer conferences are a safe, supportive structure that will help writers grow in their problem-solving capacity while experiencing the joy of collaboration.
At the heart of Ralph Fletcher’s Focus Lessons, writes Jeny Randall, teachers will find lessons that can help students connect the photographic concepts of tension, point of view, and mood to the craft of writing – so that the idea of sensory details becomes concrete.
Class environment, student attitude toward writing, student choice, and teachers who write with kids are overarching themes that help to make Welcome to Writing Workshop a good resource for creating a productive writing program, says 5th grade teacher Kathleen Palmieri.
Being a teacher who writes is the secret to being a successful teacher of writers! To help up your game, consultant and author Stacey Shubitz suggests ways to share your own writing in class with students and offers hints on how to develop and stimulate a personal writing habit.
